Ann Li

Hand-written name, "Ann Li"

Ann Li

is a multidisciplinary designer and researcher exploring experiential narratives and connective systems

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Ann Li

Neurobiologist-turned designer driven by sense-making, systems thinking, and storytelling. Seeking full-time interaction, experience, or product design roles.

Work spans the digital and physical, including functional user interfaces, immersive experiences, research, and creative strategy.

100 Days

A temporal exercise in observation, inspiration & discipline

Type

Conceptual Practice
Illustration

Context

Fall 2021

Tools

Copic markers

Overview

Repeating a daily creative practice which reflects change and evolution as time progresses.

This project was inspired by Michael Bierut's 100 Day Project, conceived, and presented at Carnegie Mellon University.

Approach

An exercise in self-discipline, immersing in the present moment and accepting imperfection; finding acceptance and nuance in both the incomplete and the refined.

Working from a 1 minute sketch on Day 1, 2 minute sketch on Day 2, 3 minute sketch on Day 3...each successive day will follow a timed condition leading up to and back down from Day 50, creating self-imposed restrictions through timescale, subject matter, and medium.

The first and last 10 days of the exercise

Time acts as the independent variable

Creating an opportunity to immerse in the present moment and accept any imperfections and mistakes along the way, this project serves also as a cyclical exercise in self-discipline and adaptation.

I hoped to initiate a project prompt that would create opportunities for both growth and regression, that would help me address a personal tendency to overanalyze and overwork, and that would allow me to explore how perceptions of importance and significance change over time.

Each sketch was drawn from life, a "first take" self-portrait, with Neutral Gray Copic markers on 3x4" Bristol.


Reflection

By setting tight constraints and challenging myself to find novelty in an "unchanging" space over time, I found a form of natural acceptance in both the notional and the highly resolved–
and observed an interesting shift in the synthesis of visual information as the portraits were condensed, expanded, and came to converge again.

Not only was this an exercise in working quickly and gesturally before building up to complexity, it served as several forms of documentation and expression, both a conceptual and literal self-portrait. Material outcomes reflected changes in self perception as a subject, and in my observational approach and practice. It's safe to say, I was pretty sick of my face by the end of these 100 days.

Select sketches chosen to represent a wide range of attitudes, approaches, and outcomes on different days. Less is often more.
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© 2024 Ann Li
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