

Neurobiologist-turned designer driven by sense-making, systems thinking, and storytelling. Open to full-time product, interaction, experience design roles.
Work spans the digital and physical, including functional user interfaces, immersive experiences, mixed-methods research, and creative strategy.
Focusing on the relationship between composition and meaning, use gradually increasing variables– type spacing, weight, variants, color, size and arrangement– to create an effective typographic system in two dimensions.
Considerations
For the graduate Visual Communication Fundamentals Studio at Carnegie Mellon School of Design. Adapted from a project by Dan Boyarski at the CMU School of Design and Ellen Lupton at the MICA graduate graphic design program.